The movie
Show notes
Roseanne gets "vengeance" upon a hubby-stealing romance novelist, by destroying her own life, abandoning her children, treating other's as pawns in her master plan, and exploiting the weak and trusting women in need that the films tells you she is freeing from oppression. This thing is a mondo-turd. I hate this movie. I'll make no apologies to start. It's not funny. It's infuriatingly preposterous and at no point can one sympathize or appreciate any of the characters. They are the "basket of deplorables" that I believe Mrs. Clinton was speaking about; politics aside, she just hated these three people. Let's start with the easy spots: Ed Begley's Bob and Meryl Streep's Mary. The viewer isn't supposed to like them. They are the antagonists with Bob being an emotionally abusive and cheating husband (with a side order of being a buffoon) and Mary, an egotistical, spoiled and sociopathic bitch (for lack of a better word). Sure, they're the bad guys. You shouldn't like them. But in a comedy, you should enjoy them. In this POS, the screen-time shared between Begley and Streep comes across as a poor impression of The Three Stooges (minus 1). "Wow, aren't they zany!?" said the producer. The audience responds by pissing on said producer's pants. Then there's ol' Ruth (Barr). Now she's had a rough go, right? Her husband's a twat, society told her that she's growdy and that darn Mary is just everywhere reminding her how inferior she is. So instead of taking a stand and defending herself against the offenses of her environment she plays along. She takes these punches and even stands by her cheating husband saying "He'll get bored of Mary and come back to me. I just need to be the good, dutiful wife until then." I'm sorry, you want him back? Strike one. Strike two is that you've let this happen before. The film subtly states that this isn't Bob's first escapade in cheating. Strike three, he's verbally abusive to you. I'm sorry but I feel that in even in sexist 1989, any woman tha
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