Movie reviewer Fletcher Powell shares his opinions on Hollywood's best efforts.

Filmmaker Ross McElwee recontextualizes a seminal work with 'Remake'
Remake (2026) · Sep 10, 2026

'The Sun Never Sets' understands the messiness of love
The Sun Never Sets (2026) · Sep 3, 2026

'Teenage Sex and Death at Camp Miasma' explores power, influence of pop culture consumption
Teenage Sex and Death at Camp Miasma (2026) · Aug 20, 2026

'Nimrods' is a dim imitation of many other movies
Nimrod · Aug 13, 2026

'I Want Your Sex' is a bright and bold approach to sex and comedy
I Want Your Sex (2026) · Jul 30, 2026

‘The Dink’ squeaks out a win
The Dink (2026) · Jul 23, 2026

Night Nurse commits to the bit
Night Nurse (2026) · Jul 9, 2026

The real mystery of Enola Holmes 3 is how things went so wrong
Enola Holmes 3 (2026) · Jul 2, 2026

‘Tuner’ is a bit of a throwback
Tuner (2026) · May 28, 2026
Maybe don’t eat while you watch ‘Saccharine’
Saccharine (2022) · May 21, 2026

‘Fuze’ is a cracking thriller… we’ll ignore that ending
Fuze (2026) · Apr 23, 2026

Odenkirk makes ‘Normal’ far from… normal
New Normal (2023) · Apr 16, 2026

‘Faces of Death’—no, not that one. Well, kind of that one.
Faces of Death (2026) · Apr 9, 2026

‘Pizza Movie’ sets itself up for success, then forgets to be funny
Pizza Movie (2026) · Apr 2, 2026

‘Magellan’ has its eyes wide open
Magellan (2025) · Mar 19, 2026

Try as you might, it’s hard to resist ‘Dave’
Dave (1993) · Mar 12, 2026

‘The Bluff’ is good (enough), bloody fun
The Bluff (2026) · Feb 26, 2026

‘The Dreadful’ can’t decide where we should focus
The Dreadful (2026) · Feb 19, 2026

Lucy Liu is exceptional in ‘Rosemead’
Rosemead (2025) · Feb 12, 2026

‘Marty Supreme’ just won’t quit, although it may be a sugar high
Marty Supreme (2025) · Dec 25, 2025
