IMPDB

The Music of Longing in “Amadeus” (1984) – Part 2

The Music of Longing in “Amadeus” (1984)

The Character of Authority in Shakespeare’s “Julius Caesar” (Part 6)

The Character of Authority in Shakespeare’s “Julius Caesar” (Part 5)

The Character of Authority in Shakespeare’s “Julius Caesar” (Part 4)

The Character of Authority in Shakespeare’s “Julius Caesar” (Part 3)

The Character of Authority in Shakespeare’s “Julius Caesar” (Part 2)

The Character of Authority in Shakespeare’s “Julius Caesar”

Society as Swindle in “The Third Man” (1949) – Part 2

Society as Swindle in “The Third Man” (1949)

Faith and Industry in “There Will Be Blood” (Part 2)

Faith and Industry in “There Will Be Blood”

Anti-Mystery in “Picnic at Hanging Rock” (Part 2)

Anti-Mystery in “Picnic at Hanging Rock”

The Weight of Memory in Hitchcock’s “Rebecca” (1940) – Part 2

The Weight of Memory in Hitchcock’s “Rebecca” (1940)

Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) – Part 2

Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970)

Word and Image in “Sunset Boulevard” (1950) – Part 2

Word and Image in “Sunset Boulevard” (1950)

The Aesthetics of Death in “Beetlejuice” (1988) (Part 2)

The Aesthetics of Death in “Beetlejuice” (1988)

Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 2

Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 1

Love and Loneliness in “Arthur” (1981) – Part 2

Love and Loneliness in “Arthur” (1981) – Part 1

Staking Claims in “The Treasure of the Sierra Madre” (1948) (Part 2)

Staking Claims in “The Treasure of the Sierra Madre” (1948) (Part 1)

Sins of Omission in “On the Waterfront” (1954) (Part 2)

Sins of Omission in “On the Waterfront” (1954) (Part 1)