IMPDB

Sabotage and Horror: 'Beef' and 'Widow's Bay'

How 'Train Dreams' Is the Movie of the Year, 'Plur1bus' Needs One Change, and 'Welcome to Derry' May Pull It Together

Does 'Dept. Q' Transcend the Genre? Plus, 'The Phoenician Scheme,' 'Andor,' and 'Stick'

'Severance' Survives Mystery and Idea Explanations of 'The Brutalist'

Bob Dylan, Vampires, and Popes: 'A Complete Unknown,' 'Nosferatu,' and 'Conclave'

The IRA,Vampires, and Hope in 'Say Nothing,' 'What We Do In The Shadows,' and 'Somebody, Somewhere'

True Heartland and Big Emotions: 'Somebody, Somewhere' and 'My Old Ass'; Plus, 'Janet Planet' on Max

The Haunting Light of 'I Saw the TV Glow' and the Second Episode of 'The Penguin'

Why 'Lady in the Lake' Sinks, How 'Ripley' Transports, and 'The Challenge' Turns 40

What Halts 'House of the Dragon,' Plus 'Presumed Innocent' and 'The Bear'

'Hit Man' Dresses Up Netflix, 'Bodkin' Podcasts Murders, and Identity Crisis in 'Dark Matter'