IMPDB

MOTHERBOARD: Victoria Mapplebeck on Filming 20 Years of Solo Parenting on iPhones

GIRLS ON FILM: Anna Smith on the Power of Female Perspectives in Cinema & Film Criticism

HARVEST: Athina Rachel Tsangari on Her 16mm Hallucinatory Tale of a Community’s Collapse

CACTUS PEARS: Rohan Parashuram Kanawade Dissects His Sundance & SXSW Award-Winning Debut

LOLLIPOP: Daisy-May Hudson on Depicting the Heartbreaking Impact of a Failing Care System

ROCKET FUEL: Jordon Scott Kennedy on Capturing Childhood Magic Through a Working-Class Lens

SATU - YEAR OF THE RABBIT: Joshua Trigg on His 16mm Indie Feature Odyssey in Laos

THE ONLY GIRL IN THE ORCHESTRA: From Producer to Oscar Winning Director with Molly O’Brien

IN THE SHADOW OF THE CYPRESS: Inside the Oscar Winning Silent Father-Daughter Short Film

SANTOSH: Sandhya Suri on Crafting a Nuanced Crime Thriller About Violence Against Women

SISTER MIDNIGHT: Exploring Misanthropy and Marriage with Director Karan Kandhari

I'M NOT A ROBOT: From CAPTCHA Fail to Oscar Win with Filmmakers Victoria Warmerdam & Trent

ROCK PAPER SCISSORS: BAFTA Winner Franz Böhm on Depicting the Horrors of the Ukraine War

THE FLOWERS STAND SILENTLY, WITNESSING: How Theo Panagopoulos Reclaimed Archive Films of Palestine

BRING THEM DOWN - Christopher Andrews on Broken Trust, Violence & Toxic Masculinity

WANDER TO WONDER: Nina Gantz on the Craftsmanship of Her BIFA Winning Short

KNEECAP: Rich Peppiatt on Jokes as Molotov Cocktails in His BIFA Winning Feature Debut

LAST SWIM: Sasha Nathwani on Capturing the Carefree Nostalgia of Youthful Friendships

HOLLOWAY: Sophie Compton & Daisy-May Hudson on Co-Creating a Trauma-Informed Documentary Feature

DN372: The Passion of Desire Spans Decades in Lucio Castro’s Queer Romance Feature ‘End of the Century’

DN361: Erik Poppe Forces Us to Experience Norway’s Terror Attack First Hand in One-Shot Feature ‘Utøya – July 22’