Bringing you exclusive in-depth conversations with industry-leading filmmakers, creators and cultural luminaries, recorded live at the Vancouver International Film Festival and year round at VIFF Centre. ~ About VIFF ~ Beyond film exhibitions, VIFF strives to engage and empower communities, encourage dialogue and champion local artists. With decades of experience and an unwavering commitment to creating exceptional programs, VIFF has transformed into a highly esteemed annual festival and a premier arthouse cinema. Founded in 1982, the Greater Vancouver International Film Festival Society is a not-for-profit cultural society and federally registered charitable organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF) and the year-round programming at VIFF Centre. All year, VIFF produces screenings, talks, conferences and events that act as a catalyst for the community to discover the creativity and craft of storytelling on screen.

Jereme Watt reaches new documentary heights in "Everest Dark"

'The Track' Director Ryan Sidhoo on the stories that haven't been told, and getting those movies made

'Foreigner' Director Ava Maria Safai talks the horrors of growing up, and what filmmaking teaches you about yourself

Mayumi Yoshida on her debut feature, 'Akashi,' and the power that comes from existing in the in between

'I Saw Three Black Lights' filmmaker Santiago Lozano on ritual as resistance in Colombia

'Save My Soul' filmmaker Kam Fai Leung on loneliness and our primal desire to be loved

Director Devin Shears on his first feature, and the fascination with fatness in "Cherub"
Kerr Holden wrestles with athleticism, performance, and metal in 'Judas Icarus Twists His Wrist'

'Balomania' filmmaker Sissel Morell Dargis on the beauty behind Brazil's baloeiros, and getting your start in documentary filmmaking

'78 Days' filmmaker Emilija Gašić on docufiction and telling personal history through found footage

Vancouver filmmaker Ann Marie Fleming explores mortality and imagines a future without waste with 'Can I Get a Witness?'

Veteran Documentarian Connie Field Exposes Democracy’s Fragility in 'Democracy Noir'

'Curl Power' director Josephine Anderson on girlhood and the long-game of filmmaking

'The Universe in a Grain of Sand' filmmaker Mark Levinson on art, physics, and AI as an extension of human creativity

'Inedia' director Liz Cairns on intuitive writing and filmmaking

'Preface to a History' director Devan Scott on experimental filmmaking and mental health

'Village Keeper' director Karen Chapman on telling "lived-in" stories through cinema

'7 Beats Per Minute' Director Yuqi Kang on the arts of Free Diving and Filmmaking

Deborah Devyn Chaung explores dreams and desire with short film “Strawberry Shortcake”

"Inay" director Thea Loo talks migration, mental health, and the power of community

'In Flames' director Zarrar Kahn talks balancing real-world social issues in genre film

'Handle With Care: The Legend of the Notic Streetball Crew' filmmakers talk basketball and community

'With Love and a Major Organ' filmmaker Kim Albright on surrealist stories, with producer Madeleine Davis

'Richelieu' director Pier-Philippe Chevigny on social justice through film

Sound designer Mark Mangini on creating epic sound art for films including 'Dune' and 'Mad Max Fury Road'

'Seagrass' director Meredith Hama-Brown on Japanese Canadian stories

‘Les Filles du Roi’ Director on Transforming a Stage Production into a Full-Blown Movie Musical

‘The Green Knight’ Production Designer Jade Healy on creating the look, feel, and shape of a fantasy realm

‘The Suicide Squad’ Editor Fred Raskin on how the story takes its final shape in the editing room

'My Name is Pauli Murray' Co-Director Julie Cohen on preserving the legacy of the LGBTQ and civil rights activist

'Shiva Baby' Writer/Director Emma Seligman on the organised chaos of indie film making

‘Flee’ Director Jonas Poher Rasmussen on animating memory

‘Dune’ Production Designer Patrice Vermette on creating epic sci-fi universes

Joel Bakan and Jennifer Abbott on calling corporate social responsibility’s bluff in 'The New Corporation: The Unfortunately Necessary Sequel'

Terence Blanchard on scoring ‘Da 5 Bloods’ and ongoing collaborations with Spike Lee

Alex Gibney on trying to pin down a Russian oligarch in 'Citizen K'

Cliff Martinez on scoring 'Drive', 'Traffic', 'Spring Breakers' and 'The Knick'

Arianne Phillips on the power of costume in 'Once Upon A Time In...Hollywood'