Bad Dads Film Review

Prisons & Sing Sing

Bad Dads Film Review · Aug 14, 2026 · 51m

The 7 movies

The Shawshank Redemption
Covered in a segment of this episode
The Green Mile
Covered in a segment of this episode
Birdman of Alcatraz
Covered in a segment of this episode
Out of Sight
Covered in a segment of this episode
In the Name of the Father
Covered in a segment of this episode
The Rock
Covered in a segment of this episode
Escape from Alcatraz
Covered in a segment of this episode

Show notes

This week on Bad Dads Film Review, it is prison week — although with Riggs and Chris missing, Sidey and Dan are doing hard time as a two-man crew. Before the main feature, we look at memorable prisons and prison stories from film, TV and music. That means everything from miscarriage-of-justice anger to escape-movie comfort food, brutal borstal drama, wizard prisons, sitcom prisons and, naturally, George Clooney being offensively cool in Out of Sight . Along the way we discuss: In the Name of the Father and the fury of the Guildford Four injustice The Shawshank Redemption , new fish, Red, Andy Dufresne and the power of endless TV rewatchability The Green Mile as another Stephen King prison classic Birdman of Alcatraz , Escape from Alcatraz and The Rock why Pete is missed whenever a Sean Connery impression is required Brubaker , with Robert Redford discovering prison corruption from the inside the glorious stupidity of Prison Break and its tattooed escape-plan premise Scum , Midnight Express , Azkaban and The Great Escape Folsom Prison Blues , Jailhouse Rock , I Fought the Law and John Lennon’s Attica State Porridge , HMP Slade and Fletcher trying to survive the system by wisecracking Escape from Sobibor and the power of stories about people walking out through horror Out of Sight , Glades Correctional Institution and the possibly illegal hotness of George Clooney Then we review Sing Sing , directed by Greg Kwedar and starring Colman Domingo as John “Divine G” Whitfield. Inspired by the real Rehabilitation Through the Arts programme at Sing Sing Correctional Facility, the film follows a group of incarcerated men who use theatre to build community, process emotion and make something together in a place designed to strip people of freedom. The film opens with Divine G performing on stage. For a moment, it could be Broadway. Then the prison reality returns: standing to attention, routines, walls, control. That contrast becomes the film’s central power. Inside the rehears

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