Horror Movie Talk

Henry: Portrait of a Serial Killer Review

Horror Movie Talk · Jun 24, 2020 · 1h 13m

The movie

Henry: Portrait of a Serial Killer
The main topic of this episode

Show notes

Henry: Portrait of a Serial Killer is a fictionalized, and harrowing vérité portrayal of real life serial Henry Lee Lucas. This is a movie that will stick with you and make you feel dirty. We've been sitting on this review for a while, but are excited that it is finally seeing the light. We recorded it back in September of 2019 to be a backup episode when we needed to take a week off. Turn's out, we rarely take a week off. @dgoebel00 on Instagram provided this amazing artwork. Follow him and check out his website. https://youtu.be/IU3P6WXzvXU Synopsis Henry played by Michael Rooker, is serial killer constantly on the move, but is momentarily staying with his former cell mate Otis (Tom Towles). Also living with them is Otis’ out of state sister Becky (Tracy Arnold). She flys in to escape her abusive boyfriend and to try to find work to bring her daughter down to live with her. The drama in the film is in the interaction between these three characters. The trio is a powder keg trauma, sociopathy, and victimhood. However, as the title of the film suggests suggests, the main purpose of the plot is to paint a stark and unflinching portrait of Henry as a serial killer. Henry: Portrait of a Serial Killer Poster Review of Henry This is one of those films that feels a little too real. Even though it is definitely a narrative driven Hollywood film, it shows the realities of killing in such plain detail that it almost feels like a documentary. When I told David about this movie I described it as “Taxi Driver, but without the touchy feely parts”. You are thrust into a world of people that are deeply broken and are dangerous to each other and themselves. It feels like a snuff film, mainly because within it, is a snuff film. Watch Henry NowWatch on AmazonClick here to Watch Henry reminds me of a couple of my favorite movies in terms of subject matter and tone. First is David Fincher’s Seven, and even more so, Darren Aronofsky’s Requiem for a Dream. It’s a film that sticks with yo

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