The movie
Show notes
20 years after the world’s last baby was born, revolutionary-turned-working stiff Theo Faron (Clive Owen) is content to coast until the end catches up to the world — until his former lover and the mother of his dead son Julian (Julianne Moore) wrangles him into a plan to escort expecting mother Kee (Clare-Hope Ashitey) to safety. Remembered (and heavily cribbed) for its effective worldbuilding and the immediacy of its handheld long takes, Alfonso Cuarón’s post-apocalyptic tale feels purpose-built to reawaken dormant empathy. This podcast also features the last white man who hadn’t seen CHILDREN OF MEN until 2024. References: “Humanity and Stolen Choice in Children of Men” by Matt Lambert for Perisphere, the Trylon blog Check the calendar, preview upcoming series, and buy tickets at https://www.trylon.org/ Contribute to Perisphere, the Trylon blog: https://www.perisphere.org/perisphere-blog-post-guidelines/ #TheLongTake #DCP Follow us on Twitter at @trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Song Of The Angel" composed by John Tavener from the CHILDREN OF MEN soundtrack. Timestamps 0:00 - Episode 292: CHILDREN OF MEN (2006) 3:52 - The Patented Aaron Grossman Summary 5:54 - The relationship of CHILDREN OF MEN to the things it inspired later 17:15 - The spirit of the long take and “democratizing the frame” 32:39 - How the world is built to shape Theo 44:33 - Luke, Julian, and the politics of radicalization 1:08:32 - The Junk Drawer 1:19:35 - To All the Loves We’ve Tried Before: 2006
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