Imprint Companion

DECEMBER 2021: OUTRAGE, HOUSE OF CARDS + LADY IN A CAGE

Imprint Companion · Dec 22, 2021 · 29m

The 3 movies

House of Cards
Covered in a segment of this episode
Lady in a Cage
Covered in a segment of this episode
Outrage
Covered in a segment of this episode

Show notes

Imprint Companion is the only podcast on the Australian Internet about "DVD Culture." Hang onto your slipcases because Alexei Toliopoulos ( Finding Drago, Total Reboot ) and Blake Howard ( One Heat Minute ) team up to unbox, unpack and unveil upcoming releases from Australia's brand new boutique Blu-Ray label Imprint Films. The first episode for the December batch features in-depth reviews of Lady in a Cage, House of Cards and Ida Lupino's Outrage . Lady In A Cage WHAT HAPPENS IN THIS ELEVATOR IS NOT FOR THE WEAK – IT IS, PERHAPS, NOT EVEN FOR THE STRONG! Alone in her residence over a sweltering holiday weekend, a widow (de Havilland) is accidentally trapped in her home elevator during a power failure. Her meticulous, well-organized world is shattered as the elevator, stalled nine feet above the floor, becomes a claustrophobic torture chamber – a cage. Two-time Academy Award winner Olivia de Havilland stars in a suspenseful shocker that also features future Oscar nominee James Caan in his first major film role. Special Features and Technical Specs: 1080p high-definition presentation NEW Audio commentary by film critics Kim Newman and Barry Forshaw (2021) NEW Audio commentary by film critic Kat Ellinger (2021) A Reprehensible Film – video essay by Chris O’Neill (2021) Theatrical Trailer Aspect Ratio 1.78:1 English DTS-HD 5.1 Surround / LPCM 2.0 Mono Optional English subtitles Limited Edition slipcase on the first 2000 copies with unique artwork House Of Cards THE BLOOD-HOT DIARY OF THE PEOPLE WHO FIGHT THE WAR OF INTRIGUE ACROSS THE FACE OF THE GLOBE! In 1960s Paris, an American boxer stumbles upon an international fascist conspiracy that aims to create a new world order. Directed by John Guillermin, starring George Peppard, Inger Stevens, and Orson Welles. Rarely seen since its original theatrical run, it marked the second time that Peppard and Guillermin worked together (they had previously collaborated on the 1966 film The Blue Max). “A Hitchcockian thrill

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