The Rough Cut

Bohemian Rhapsody

The Rough Cut · May 10, 2021 · 44m

The movie

Bohemian Rhapsody
The main topic of this episode

Show notes

The Oscar®-Winning Sound and Picture Post Team from Bohemian Rhapsody Despite having faced many obstacles and an uncertain future, the Queen biopic Bohemian Rhapsody went on to become a global hit at the box office and achieve widespread critical acclaim; evidenced by the fact that the sound and picture post team members each walked away with an Oscar® in their respective categories. Just two months after the Oscars®, the team joined Avid for a special live presentation of their work at the NAB 2019 convention in Las Vegas. EDITOR - JOHN OTTMAN ACE Not only an accomplished, award-winning editor, John Ottman ACE is also a composer and writer. Among his many credits are his frequent collaborations with director Brian Singer on the films The Usual Suspects, Superman Returns, Valkyrie and X2: X-Men United. SUPERVISING DIALOGUE and ADR EDITOR - NINA HARTSTONE In her role as Supervising Dialogue and ADR editor for Bohemian Rhapsody , Nina Hartstone had the enviable yet daunting task of bringing the voice of Freddie Mercury back to life. Her impressive skills as a sound post pro have been on display in such films as Gravity, The Hours, Bridget Jones's Baby and Enola Holmes . SUPERVISING SOUND EDITOR - JOHN WARHURST Coming into Bohemian Rhapsody , John Warhurst had already racked up some impressive credits as both a music and sound editor, honing his craft on 127 Hours, Edge of Tomorrow, Les Misérables and One Direction: This is Us . MUSIC MIXER and RE-RECORDING MIXER - PAUL MASSEY With a phenomenal career that spans almost forty years, music and re-recording mixer Paul Massey has lent his talents to films like Boyz N the Hood, Clueless, Jerry Maguire and Ford v Ferrari . Including his Oscar® win for Bohemian Rhapsody , Massey has been nominated for the Academy's top sound prize a total of nine times. Editing and Mixing Bohemian Rhapsody In our discussion with the Bohemian Rhapsody post team, we talk about: Making montages that drive the narrative Using hi-res footage and V

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