Face2Face with David Peck

Take Light - Shasha Nakhai

Face2Face with David Peck · Apr 20, 2018 · 36m

The movie

Take Light
The main topic of this episode

Show notes

Shasha and I talk about her new film Take Light, the power crisis in Nigeria, poverty, corruption, Illegal electricians, suffering and smiling , hope and the legacy of colonialism. Watch the Trailer here . Synopsis Over 50 per cent of Nigeria's nearly 200 million citizens don't have access to electricity. For Africa's largest energy producer and most populous nation, that number is shocking. Those dependent on the unreliable grid are limited to a few hours of power a day at best. Taking matters into their own hands, many households illegally and dangerously wire their homes by tampering with transformers. While a bungling bureaucracy attempts to privatize the electrical system, an electrician risks his life on power poles, trying to provide for his daughter's education. His colleague in customer service has the more difficult task of going door to door collecting fees from disgruntled customers. The problems are complex and systemic, but director Shasha Nakhai delicately balances the big picture of a country trying to advance its development with the compelling stories of blue-collar workers attempting to make better lives for their families. Biography Shasha Nakhai is a filmmaker based out of Toronto with Compy Films and Storyline Entertainment. Her award-winning films have screened at festivals and aired on TV worldwide, been released on iTunes, gone viral and been awarded Vimeo Staff Pick and Short of the Week. Her last film with partner Rich Williamson, Frame 394, was shortlisted for the 2017 Academy Award for Best Documentary Short and was part of the CBC’s new Digital Doc Shorts initiative. It had its world premiere at the 2016 Hot Docs Film Festival, and went on to win Best Canadian Short at NorthwestFest, Best Documentary Short at the Rhode Island Int’l Film Festival, Best Documentary Short at the Sidewalk Film Festival, the Audience Award for Best Documentary Short at the New Orleans Film Festival, and Best Documentary at the Charleston Film Festival. It wa