The movie
Show notes
After the delightful non sequitur of last week's film, Criterion throws us back into things with an emotional Bergman that Pat just can't connect with. The surprisingly vivid - for what we're used to from a Bergman film - Cries and Whispers (1972) won a well-deserved Oscar for it's cinematography while playing with themes of faith and redemption and femininity that Ingmar liked so much.






